Sabtu, 22 Juni 2013

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The New World of Health Promotion: New Program Development, Implementation, and Evaluation

  • Sales Rank: #6697079 in Books
  • Published on: 1600
  • Binding: Paperback

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Senin, 17 Juni 2013

[D609.Ebook] Download The Rough Guide to House Music, by Sean Bidder

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The Rough Guide to House Music, by Sean Bidder

Rough Guides presents a unique, pocket handbook to the world's most incessant dancefloor groove, featuring all the key players and hottest labels from the music's disco roots and Chicago birth, to its Acid House manifestation and world-wide diversification. Includes career biographies of more than 160 producers, artists, and DJs, and discographies for each reviewing the best on vinyl and CD.

  • Sales Rank: #1319684 in Books
  • Published on: 1999-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.70" h x .73" w x 4.14" l,
  • Binding: Paperback
  • 400 pages

Review
No gaps...well balanced between appreciation and criticism...excellent for dipping into. -- Straight No Chaser, Summer 1999, UK

Excerpt. © Reprinted by permission. All rights reserved.
Introduction

From its roots in Chicago and New York clubs, House triggered the biggest musical revolution in the UK since punk, and subsequently spawned a welter of electronic genres that have altered the face of modern music and popular culture. The Rough Guide to House traces the route that this propulsive strain of dance music has taken, while pointing towards the elements that may shape its future direction. Presented in an encyclopedic format, The Rough Guide to House covers both the innovators and crucial exponents of House - whether they be producers, DJs, bands or record labels. So what exactly is House? Originally (some would argue it still is) a mutation of disco, House can be widely defined as electronic music with a rhythm set in a 4/4 tempo. While this definition neatly distinguishes House from the abstractions of Techno and the breakbeat foundations of Trip-Hop and drum 'n' bass, it fails to acknowledge the genre's most compelling attribute: its fundamental ability to inspire by bonding emotive, synthesised melodies to locked rhythms. It's this marriage of melody and groove which has formed perhaps the most exciting dancefloor proposition since the birth of disco itself.

House music's roots reside in the hedonistic gay club scene of mid-'70s New York. Manhattan-based DJs such as Walter Gibbons and Larry Levan provided the initial platform for disco to mutate into House by extending and recreating singles from disco labels like Salsoul, Prelude and West End to construct repetitive, hypnotic mantras built to fire up the dancers at clubs like The Paradise Garage (the club which would give House's R&B-soaked cousin its name, garage).

But House music was truly developed in Chicago, initially as a result of Brooklyn-born DJ Frankie Knuckles' residency at the city's Warehouse club in 1977. Like the DJs in New York, he began to alter the raw material of the music he spun at the club by adding pre-programmed drum rhythms from his Roland 909 to the mix to keep the groove constant, thus forming the blueprint for the 4/4 tempo of House, whose name derived from that of his club.

By the early to mid-'80s elemental cuts by Knuckles' disciples, Jamie Principle and Jesse Saunders, began to distinguish themselves from disco with a sound characterised by its raw synthesised energy and simple, skeletal drum patterns. By the mid-'80s Knuckles and another deck virtuoso, DJ Ron Hardy, had influenced a core of talented young kids who seized upon the relatively cheap and easy-to-master range of synthesizers, samplers and drum machines to create their own sonic inventions. Marshall Jefferson, Larry Heard, Adonis, DJ Pierre and Steve "Silk" Hurley created the blueprint for Acid House and Deep House with singles released by Chicago's two main independent labels, Trax and DJ International.

Mainstream America was never likely to accept music born from black, gay disco, though, and it was a youth culture bored to death by the materialist aesthetic of the Thatcher era in Britain which catalysed the Acid House explosion. Oh yeah, there was also a little something called Ecstasy, but club music and drug consumption have almost always gone hand-in-hand. Pioneered in the UK by DJs such as Paul Oakenfold, Danny Rampling and Mike Pickering, British technicians like A Guy Called Gerald, Baby Ford and Bang The Party emerged to stamp their own style on the genre and irreversibly set in motion House music's domination of British dancefloors. It's a combination of all these factors that led to House's mainstream acceptance and subsequent diversification.

But this is only an outline of the music's history. There's no room here to detail the further importance of New York and Chicago, of Ibiza, Manchester, London, Italy and Paris, of the countless other producers/DJs whose contributions have been pivotal. Instead, that's all broken down into individual entries and detailed inside, providing a comprehensive, but by no means detached, guide to House music.

Thanks goes first to all the writers who pencilled entries for The Rough Guide to House and to those who imparted information, photographs and time. A special thanks to the following: Vince Lawrence, Ashley Beedle, Joe Clausell, Dimitri From Paris, Little Louie Vega, Kenny "Dope" Gonzalez, Glenn Underground, Crispin J. Glover, Dave Lee, Omid Nourizadeh, Charles Webster, Sally Jones and Steve Rodgers, Harvey, Kevin McKay, Abacus, Rob at Guidance, Billie and Dave at Nuphonic, JBO, Karen at Twisted, Rob at Pagan, Francesco at Irma, Isabel at Deconstruction, Simon and Richard at Reverb, Jennifer Dempsey, Nicky B, Miss K, Jo Lee, Chris Sodring, Jim Waite, Ben Harrington and Ted Cockle. Sean Bidder

Most helpful customer reviews

31 of 33 people found the following review helpful.
An important book tracing the people, tunes and labels.
By A Customer
Finally, a book on house music capturing the pop sensibilities of the MTV generation, the historical coverage of the New York Times and the song significance of dance music magazines. With a cover graced by none other than Armand Van Helden, HOUSE: The Rough Guide breaks down this musical subgenre in small easily digestible doses.
In keeping with the MTV mindset of short attention spans, HOUSE provides synopses highlighting the salient points of significant contributions DJ's (e.g. Masters at Work, DJ Pierre), producers (e.g. Mood II Swing, Basement Jaxx) and labels (e.g. Nervous, Salsoul) have made to House music. Very much like a NY Times investigative story, Bidder's Rough Guide leaves no stone unturned, reporting on names both past and present in the house music game from Robert Owens to Adeva to Daft Punk to Bobby Konders. The book serves as an excellent resource and reference for beginners to gain knowledge about the genre, for intermidiate house lovers to further their education and for advanced house users as a reference tool to key people.
One added bonus, the book not only covers the people and the labels, but it also names the tunes that catapulted to stardom.

4 of 4 people found the following review helpful.
Excellent guidebook for house music...
By S. A. Di Martino
I take this little book with me everytime I go record shopping. Concise and accurate histories of all the DJ's and record labels that make house music what it is. If you're a house DJ, buy it! I guarantee you'll learn a thing or two, even if you've been a DJ forever.

3 of 13 people found the following review helpful.
The Ultimate!!!
By A Customer
Sean Bidder's Rough Guide is the penultimate piece one can buy on this topic. It is well-written, provides more behind-the-scenes activity than any other source, and is one-of-a-kind. I wouldn't be without this book. It kicks!!

See all 7 customer reviews...

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Minggu, 16 Juni 2013

[X730.Ebook] Ebook Black Cross: First book from the tales of the Black Powder Wars, by J P Ashman

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Black Cross: First book from the tales of the Black Powder Wars, by J P Ashman

"The magic system is fascinating and very well crafted. This is quite an epic saga, and surprisingly political. There are factions, and back biting, plenty of twists and turns, violence and bloodshed – everything epic fantasy fans enjoy." 
www.bookwormblues.net 

Arcane magic can be a ruinous power, despite admirable intentions. 

A mysterious scroll finds its way into Lord Severun’s hands, enabling him to release a dangerous experiment upon Wesson. With Sergeant Falchion unable to forgive himself for aiding the wizard, and desperate factions taking advantage of the devastating aftermath, Falchion embarks on an arduous quest alongside friends and strangers alike. However, even if their attempt to seek aid is successful and the city is saved, they risk revealing a secret that threatens much more than Wesson alone. 

From a fantasy world not too dissimilar to our own dark and bloody histories, the beginning of an epic tale is told. Incredible magic is unleashed, allies become enemies; unlikely friendships are forged, and a foul plot is discovered that will shatter the long lasting peace of Altoln and her allies, plunging them into a gritty, brutal conflict that falls far from the fluffy fairytales of old.

  • Sales Rank: #6455846 in Books
  • Published on: 2016-01-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.19" w x 6.14" l, 1.97 pounds
  • Binding: Hardcover
  • 480 pages

Review
"The magic system is fascinating and very well crafted. This is quite an epic saga, and surprisingly political. There are factions, and back biting, plenty of twists and turns, violence and bloodshed - everything epic fantasy fans enjoy." www.bookwormblues.net "The Black Powder Wars will be a series that's tailor-made for fans of fantasy in the vein of Bernard Cornwell, Paul Kearney & J. V. Jones." www.fantasybookcritic.blogspot.co.uk

About the Author
Born Lancashire, England, J. P. Ashman is a Northern lad through and through. His parents love wildlife, history, fantasy and science fiction, and passed their passion on to him. They read to him from an early age and encouraged his imagination at every turn. His career may be in optics, as a manager/technician, but he loves to make time for writing and reading every day. Now living rurally in the Cotswolds with Wifey and their little Norse Goddess Freya, he's inspired daily by the views they have and the things they see, from the deer in the fields to the buzzards circling overhead. Writing is a huge part of his life and the medieval re-enactment background and tabletop gaming lend to it; when he's not writing the genre, he's either reading or playing it. He plans to keep writing, both within his current series, and those to come, whether short stories or epic tomes.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Story Worthy of Epic
By Beester
I was a bit dismayed when starting Black Cross. The opening pages gave a lengthy list of characters and their descriptions. Ok, epic fantasy I get it but I tend to have GRRM cold sweat moments of needing index cards and a cork board until I can get everything under my belt and into my memory. So off I went into the wonderful world that Mr. Ashman has constructed. By page 50 or so I started to notice an itch at the back of my neck that something needed to happen. I thought about my motivation behind that, do I really need brain wrenching action right off the bat, to see violence or some other type of mayhem to enjoy a book from the beginning? I have read numerous works that never picked up but enjoyed them immensely such as The Iliad. Yeah, I know I really liked it but I have never in my life said I wasn't off center. :P)

By the time I had finished the book I was putting off reading more than a chapter at the time just so I could wake the next day a spend more time with the characters of the Black Cross that I have grown so fond of and now wait patiently for the next book/novella (hint hint wink wink Mr. Ashman). Black Cross doesn't really start off slow but there is a bit that needs to be introduced to get the various plot lines, yepper more than one, off and running. It gives the reader a chance to experience the characters in everyday nuances that for me only enriched my experience with each character. Mr. Ashman is weaving a web throughout the book that will end some plot lines and expand others that will continue on in the series. I stopped trying to guess a third of the way into the book and sat back, relaxed and kept reading.

The characters are well developed. I am not a fan of bringing out everything about a character right off or even throughout the entire book if it is the first book of a series. I want mystery, with hints of insight into their past and future. It leaves room for surprise and fulfillment. Ms. Ashman accomplishes this with all of the characters. Biv and Sears are my fav throughout the book. A Laurel and Hardy relationship to be sure but the play between them only heightens what you don’t know about them even though they make references from time to time alluding to the depth of their understanding of each other and their relationship. I also enjoyed the cockney accent given to the two characters reveling in sounding it out in my head. Told you before, I am off center. hehe.

The environment involves humans, elves, and dwarfs although you don’t get to meet any dwarfs in the first book. The diversity of the races along with the diversity within the races is pleasant. One would expect the same type of fantasy trope as you read along but there is some surprising elements of the humans that I haven’t read in fantasy before and a slight different angle on the elves as well. I really enjoyed all aspects of this book from environment, character development to the development of the plot lines and where they lead too. I highly recommend this book to anyone that wants a fantasy novel that will be a fresh aspect in many avenues from the typical tropes of fantasy that we know.

I also enjoyed, my opinion and assessment, the underlying messages delivered by Mr. Ashman’s writing. One person despite what meme’s and other philosophical bozos tell you can’t change the world. Statistically even that one person that looks to have change the world had help since birth to get to that point so yeah, one person can’t change the world. What the reader sees in the Black Cross is not that any person should set out to change the world but go forth and do what is right. If you are fortunate you may touch one life, one area or community in a way that will set things in motion to be just a bit better than they would have been otherwise. One of the MC sets things in motion but after that no one act of his makes or breaks the plot or the final goal. But what if that MC decided to not do the right thing to stand up and act? Would the final goal still been achieved? Possibly but we will not know that because that MC decided to act and not sit by and watch or just complain and do nothing. We all can learn something from that in the Black Cross. Doing the right thing should be its own reward and not the expectation of the positive consequence that may never come to fruition.

Buy the Black Cross, you will not be disappointed and more than likely will add a new favorite author to your list.

1 of 1 people found the following review helpful.
An epic fantasy novel you should definitely read...
By Shawn Wickersheim
The author creates an epic, richly-detailed and powerfully written fantasy novel. As others have pointed out, the novel has a more gently-paced start, but once the multiple storylines are up and running, the novel quickly kicks into high gear and does not disappoint. At times gritty and dark, especially during the intense fight scenes, the book isn't all gloom and doom with the darkness often offset by the humorous banter between two of the books most interesting characters. I think fans of Mark Lawrence, Joe Abercrombie or David Gemmell will enjoy this book.

0 of 0 people found the following review helpful.
Black Cross, Fantasy Done Right.
By Beester
I was a bit dismayed when starting Black Cross. The opening pages gave a lengthy list of characters and their descriptions. Ok, epic fantasy I get it but I tend to have GRRM cold sweat moments of needing index cards and a cork board until I can get everything under my belt and into my memory. So off I went into the wonderful world that Mr. Ashman has constructed. By page 50 or so I started to notice an itch at the back of my neck that something needed to happen. I thought about my motivation behind that, do I really need brain wrenching action right off the bat, to see violence or some other type of mayhem to enjoy a book from the beginning? I have read numerous works that never picked up but enjoyed them immensely such as The Iliad. Yeah, I know I really liked it but I have never in my life said I wasn't off center. :P)

By the time I had finished the book I was putting off reading more than a chapter at the time just so I could wake the next day a spend more time with the characters of the Black Cross that I have grown so fond of and now wait patiently for the next book/novella (hint hint wink wink Mr. Ashman). Black Cross doesn't really start off slow but there is a bit that needs to be introduced to get the various plot lines, yepper more than one, off and running. It gives the reader a chance to experience the characters in everyday nuances that for me only enriched my experience with each character. Mr. Ashman is weaving a web throughout the book that will end some plot lines and expand others that will continue on in the series. I stopped trying to guess a third of the way into the book and sat back, relaxed and kept reading.

The characters are well developed. I am not a fan of bringing out everything about a character right off or even throughout the entire book if it is the first book of a series. I want mystery, with hints of insight into their past and future. It leaves room for surprise and fulfillment. Ms. Ashman accomplishes this with all of the characters. Biv and Sears are my fav throughout the book. A Laurel and Hardy relationship to be sure but the play between them only heightens what you don’t know about them even though they make references from time to time alluding to the depth of their understanding of each other and their relationship. I also enjoyed the cockney accent given to the two characters reveling in sounding it out in my head. Told you before, I am off center. hehe.

The environment involves humans, elves, and dwarfs although you don’t get to meet any dwarfs in the first book. The diversity of the races along with the diversity within the races is pleasant. One would expect the same type of fantasy trope as you read along but there is some surprising elements of the humans that I haven’t read in fantasy before and a slight different angle on the elves as well. I really enjoyed all aspects of this book from environment, character development to the development of the plot lines and where they lead too. I highly recommend this book to anyone that wants a fantasy novel that will be a fresh aspect in many avenues from the typical tropes of fantasy that we know.

I also enjoyed, my opinion and assessment, the underlying messages delivered by Mr. Ashman’s writing. One person despite what meme’s and other philosophical bozos tell you can’t change the world. Statistically even that one person that looks to have change the world had help since birth to get to that point so yeah, one person can’t change the world. What the reader sees in the Black Cross is not that any person should set out to change the world but go forth and do what is right. If you are fortunate you may touch one life, one area or community in a way that will set things in motion to be just a bit better than they would have been otherwise. One of the MC sets things in motion but after that no one act of his makes or breaks the plot or the final goal. But what if that MC decided to not do the right thing to stand up and act? Would the final goal still been achieved? Possibly but we will not know that because that MC decided to act and not sit by and watch or just complain and do nothing. We all can learn something from that in the Black Cross. Doing the right thing should be its own reward and not the expectation of the positive consequence that may never come to fruition.

Buy the Black Cross, you will not be disappointed and more than likely will add a new favorite author to your list.

See all 5 customer reviews...

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Rabu, 12 Juni 2013

[P946.Ebook] Ebook Download ICCWS 2016 - Proceedings of The 11th International Conference on Cyber Warfare and SecurityFrom ACPIL

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ICCWS 2016 - Proceedings of  The 11th International  Conference on  Cyber Warfare and SecurityFrom ACPIL

ICCWS 2016 - Proceedings of The 11th International Conference on Cyber Warfare and SecurityFrom ACPIL



ICCWS 2016 - Proceedings of  The 11th International  Conference on  Cyber Warfare and SecurityFrom ACPIL

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The 11thInternational Conference on Cyber Warfare and Security (ICCWS 2016) is being held at Boston University, Boston, USA on the 17-18th March 2016. The Conference Chair is Dr Tanya Zlateva and the Programme Chair is Professor Virginia Greiman, both from Boston University. ICCWS is a recognised Cyber Security event on the International research conferences calendar and provides a valuable plat-form for individuals to present their research findings, display their work in progress and discuss conceptual and empirical advances in the area of Cyber Warfare and Cyber Security. It provides an important opportunity for researchers and managers to come together with peers to share their experiences of using the varied and expanding range of Cyberwar and Cyber Security research available to them. The keynote speakers for the conference are Daryl Haegley from the Department of Defense (DoD), who will address the topic Control Systems Networks...What's in Your Building? and Neal Ziring from the National Security Agency who will be pro-viding some insight to the issue of Is Security Achievable? A Practical Perspective. ICCWS received 125 abstract submissions this year. After the double blind, peer review process there are 43 Academic Re-search Papers 8 PhD papers Research papers, 7 Masters and 1 work-in-progress papers published in these Conference Pro-ceedings. These papers represent work from around the world, including: Australia, Canada, China, Czech Republic, District of Columbia, Finland, France, Israel, Japan, Lebanon, Netherlands, Pakistan, Russian Federation, Saudi Arabia, South Africa, Tur-key, United Arab Emirates, UK, USA.

  • Sales Rank: #8250450 in Books
  • Published on: 2016-02-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.69" h x 1.04" w x 8.27" l, 2.70 pounds
  • Binding: Paperback
  • 516 pages

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Minggu, 09 Juni 2013

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The objective of this book is to supply prospective managers with the skills necessary to make effective use of formal quantitative analyses, whether the details of those analyses are performed by themselves or by a technical specialist. This book is written for the manager or student whose needs are not the complete mastery of the technical details of mathematical techniques, but rather the development of formal analytical processes that contribute to an individual's decision-making skills. The book is organized into six parts: Part I, A framework for analyzing decisions under uncertainty; Part II, Judgmental assessment and limited information; Part III, Using historical data to develop probabilities; Part IV, Simulation in the analysis of complex decisions; Part V, Accounting for competitive reaction; and Part VI, Allocating scarce resources.

  • Sales Rank: #1444962 in Books
  • Published on: 1978-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 2.20 pounds
  • Binding: Hardcover
  • 687 pages

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