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• Sales Rank: #1470205 in Books
• Binding: Paperback

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One of the most influential philosophers of our day has selected 16 previously uncollected pieces that are unified by Levinas's project of revising the phenomenological description of the world in light of our experience of other persons.

• Sales Rank: #1578713 in Books
• Brand: Brand: Stanford University Press
• Published on: 1994-12-01
• Released on: 1994-12-01
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .40" w x 5.30" l, .55 pounds
• Binding: Paperback
• 204 pages

Features

• Used Book in Good Condition

From the Back Cover
This volume consists of fourteen pieces selected by Levinas himself in 1987 from a large body of uncollected essays.

About the Author
Emmanuel Levinas (1906-1995) est l'un des philosophes francais les plus importants du XXe siecle.

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This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts―tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies.

• Sales Rank: #5210822 in Books
• Published on: 2012-12-18
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .56" w x 5.98" l, .60 pounds
• Binding: Hardcover
• 220 pages

About the Author

Paul Sanden teaches Music History at the University of Lethbridge, Canada.

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• Sales Rank: #3283841 in Books
• Published on: 2011
• Binding: Paperback

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• Sales Rank: #1833508 in Books
• Published on: 2013-11-27
• Original language: English
• Dimensions: 9.75" h x 7.00" w x 1.00" l, 1.90 pounds
• Binding: Paperback
• 500 pages

About the Author
Mitchell Land (Ph.D. University of Texas at Austin) is professor and dean of Regent University s School of Communication and the Arts. Koji Fuse (Ph.D., University of Texas at Austin) is associate professor of strategic communication at the University of North Texas. Bill W. Hornaday (M.J., University of North Texas) is co-researcher for the Student Media Ethics Project at Indiana University School of Journalism.

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• Published on: 1602
• Binding: Paperback

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[N347.Ebook] Ebook Free Aesthetics: Classic Readings from the Western Tradition, by Dabney Townsend

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This anthology is a collection of basic readings for beginning students, chosen to illustrate the major movements in the history, development and nature of aesthetics. Selections of major importance are drawn from the period of the Greeks to the mid-twentieth century. Every section introduction includes an historical overview of each period, biographical information, and a brief analysis of key concepts. The editor designed this anthology to be of sufficient length for use as the sole text in a one quarter course, yet brief enough to invite the use of additional materials in longer courses.

• Sales Rank: #735881 in Books
• Brand: Brand: Cengage Learning
• Published on: 2000-04-18
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x .85" w x 7.37" l, 1.44 pounds
• Binding: Paperback
• 376 pages

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• Used Book in Good Condition

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Part I: Classical and Medieval Aesthetics. Plato, Introduction From Republic Book X. Aristotle, from Poetics. Plotinus, Ennead One: Sixth Tractate. Bonaventure, Retracing the Arts to Theology. Dante, Letter Ten. Passages for Discussion. Part II: Modern Aesthetics. Section 1: The Seventeenth and Eighteenth Centuries. Francis Hutcheson, from An Inquiry Into the Original of Our Ideas of Beauty and Virtue. David Hume, Of the Standard Taste. Immanuel Kant, from Critique of Judgment. Passages for Discussion. Section 2: The Nineteenth Century. G. W. F. Hegel, from The Encyclopedia of the Philosophical Sciences. Arthur Schopenhauer, from The World as Will and Idea. Friedrich Nietzsche, from The Birth of Tragedy. John Ruskin, from Modern Painters. Leo Tolstoy, from What is Art?. Passages for Discussion. Section 3: The Turn of the Century. Benedetto Croce, From Aesthetic; Edward Bullough, "Physical Distance" as a Factor in Art and as an Aesthetic Principle. Clive Bell, From Art. Passages for Discussion. Part III: Looking Forward: The Twentieth Century. Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction. Morris Weitz, The Role of Theory in Aesthetics. George Dickie, The Myth of the Aesthetic Attitude. Arthur Danto, The Artworld. Sources. Glossary. Index.

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1 of 1 people found the following review helpful.
A Fair Sampling of Philosophers of Art
By T. Anderson
"Aesthetics: Classic Readings from the Western Tradition" edited by Dabney Townsend, is an aesthetics anthology I recently read in hopes of finding a better text for the philosophy of art course I regularly teach. It's one of the better anthologies available, but in my opinion it's not the best of them (that honor I'd probably reserve for either Stephen David Ross' "Art and Its Significance" or Hofstadter's old standby "Philosophies of Art and Beauty," both of which are half the price of this very expensive book--or for Hazard Adams' "Critical Theory Since Plato," if you can afford a $135 book). Townsend's text includes primary texts--that is, selections from texts authored by recognized authorities in the field--as well as short introductions to figures and periods.

"Aesthetics: Classic Readings" strikes a pretty good balance between depth and breadth. It includes selections from 20 writers old and new, ranging from Plato and Aristotle to Bell and Danto (the first edition included only 15, as it lacked the post WWI selections which have significantly improved the second edition). Some writers featured here (like Bonaventure, Dante, Ruskin and Weitz) are not regularly included in anthologies of this type, so their presence is refreshing. And the selection offers a sound representation of figures from different historical periods and different philosophical perspectives. But the selections are relatively superficial in content, as there are only a few complete essays in the mix (most are abbreviated excerpts), and only a scratch on the surface of truly important writers like Plato and Kant. And one wonders why someone like Morris Weitz is included if that choice eliminates a much more influential figure, like Nelson Goodman for instance.

In short, this anthology is at the top of the middle-of-the-road pack, as it contains a broad and interesting sampling of texts. But a little more depth (and some more prudent choices if expansion isn't possible--which it should be in a text this expensive) would have definitely improved the book. For the novice reader I would recommend either Ross or Hofstadter for, respectively, their broader or more comprehensive anthologies--or Adams if you're independently wealthy. And Anne Sheppard's "Aesthetics" and Robert Wood's "Placing Aesthetics" would be helpful secondary reading to help explain and contextualize the primary writings in this anthology.

1 of 2 people found the following review helpful.
An Engaging Perspective On Art and Beauty
By J. Merritt
This a tough read, but a rewarding one. It presumes a familiarity with philosophical language and with the major players (especially the Greeks). It also borders on being a grad-level read, so beware if it's been assigned to you in an undergrad course; you've got your work cut out for you. Nonetheless, Townsend compiles an interesting assortment of readings (even though he jumps over big time periods) and gives a fresh perspective on writers that you've probably thought of very differently until now (e.g., Tolstoy and Clive Bell). It's the kind of book that's engrossing enough to keep even after the course is over, and it'll probably be a useful resource to have in your personal library if you're going to go on to graduate study in philosophy or art.

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[W355.Ebook] Free PDF Oxford English-Hindi Dictionary, by S. K. Verma

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With over 25,000 words and phrases, the Oxford English-Hindi Dictionary offers comprehensive coverage of everyday vocabulary. Each English headword is translated into Hindi, and expressions and phrases illustrate how words are used in context. Words are labelled in Hindi according to subject, and whether the language is formal or informal, and there is plenty of useful information on the usage of various English words. Other helpful features include grammatical information on irregular verbs, nouns, and adjectives, and easy-to-understand pronunciations in Hindi script for every headword. The dictionary also contains useful appendices on Roman numerals, weights and measures, and chemical elements. All of these features are packed into a compact, portable format, making this the ideal dictionary for learners and teachers of English, and those who want to improve their command of the English language.

• Sales Rank: #163368 in Books
• Published on: 2003-06-01
• Released on: 2003-06-01
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x 4.50" w x 1.50" l, 1.37 pounds
• Binding: Hardcover
• 800 pages

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0 of 0 people found the following review helpful.
Printing defect
By T K Readermama
Some of the pages have double printing so about 100 pages are unreadable.

32 of 34 people found the following review helpful.
Not a true bilingual dictionary, but excellent nonetheless
By NascentOne
I just have to clarify some aspects of this book. Since it has been designed to help people whose mother tongue is Hindi learn English, it does not translate all the words directly from English to Hindi. However, often there are rather explanations of the English terms provided in Hindi, while some words do not have the requisite English-to-Hindi translation (one word to one word) one would expect from such a dictionary. Further more, the words which are directly translated, do NOT contain the crucial information on their grammatical gender in Hindi (again, it is clearly not a bilingual dictionary and not a "companion" to the Hindi-English dictionary by R.S. McGregor). Still, the book has helped me a lot in learning Hindi's written language.

The reason why this book does not always offer one-word translations of English words, is that they simply do not exist in Hindi. As a native speaker with full proficiency in Hindi (but only the oral language, hence trying to learn the written language), I can affirm that fact. A lot of words relating to Western concepts do not have equivalents in Indian culture, and therefore no real Indian words. Still, the majority of the English words are given direct Hindi translations.

This book does give some colourful and generally humorous translations of concepts which are quite recent or alien in India - for instance pizza (not the best example) is translated roughly as "a round piece of dough on which one may put tomatos". Quite funny to read those kinds of entries!

This dictionary is made in India for people whose native tongue is Hindi and who wish to learn English. That is why there is no information provided on the Hindi nouns' genders. The publication is therefore not intended for non-Hindi speakers to use as an English-Hindi dictionary.

Still, being an Oxford dictionary, I will highly recommend it. The book is excellent in its coverage of Western terms and concepts and gives explanations and translations in the finest form of Hindi I have probably ever read, clearly adhering to Oxford's renowned standards. It still serves as a bilingual dictionary, and serious students will most surely have profit from using it. I have three other English-Hindi dictionaries (and they are, in contrast to this one, marketed as English-Hindi dictionaries for Anglophones learning Hindi) and none of them can compare with the breadth and quality of this Oxford work.

For a formal review and synopsis, consult the product information page for this dictionary at the British version of Amazon, at www.amazon.co.uk . This American version has not added that information.

13 of 13 people found the following review helpful.
A good start
By Theseus Augustus
First, I am an American English speaker, but one who was trained at the University of Wisconsin in Hindi and have several years of Hindi language experience, including a year in India in Varanasi. This is the best such dictionary around. This English-Hindi dictionary is the best one out there, though with caveats noted below.

This is not a good sole reference for beginners. I would advise learning Hindi by taking a class, by using Bhatia's Colloquial Hindi audio course, by watching plenty of Bollywood and by regular tutoring from a native Hindi speaker. You can supplement that with the increasingly plentiful resources on the Internet. The study of Hindi is not an easy thing, though there are some good phrase books for travelers. It is still easier studying Hindi than other Indian languages, if you are not in India.

There is a great deal that still needs to be done before Oxford has a superb English-Hindi dictionary. This dictionary is bereft in contemporary usages. More Hinglish urban/Bollywood, and urban slang typical of Bombay and Delhi should be in this dictionary. Also, urban usage frequently includes words and expressions from regional languages such as Marathi or Urdu. I would like to see more commonly used words from other languages included in a useful dictionary.

An example: under the English word, "god", there is no suggestion of "bhagwaan". I don't understand this. It is in the MacGregor Hindi-English dictionary. I suggest that Verma/Sahai work with MacGregor to cross-reference both dictionaries more extensively, and start making the English-Hindi dictionary more indicative of contemporary usage.

Oxford, you are in the lead. Keep moving ahead with better references please.

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• Sales Rank: #426812 in Books
• Brand: Brand: Artech House
• Published on: 2011-12-21
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 2.00" w x 6.50" l, 2.92 pounds
• Binding: Hardcover
• 870 pages

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About the Author
Richard A. Poisel is a senior engineering fellow at Raytheon Missile Systems, Tucson, Arizona. He was formerly the chief scientist at the U.S. Army Research, Development and Engineering Command, Intelligence and Information Warfare Directorate, Ft. Monmouth, New Jersey. Dr. Poisel is also the author of numerous books in the field, including Introduction to Communication Electronic Warfare Systems, Second Edition and Target Acquisition in Communication Electronic Warfare Systems, (Artech House, 2008 and 2004).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good book with excellent background
By Geeksquad
This book not only covers jamming principles, but also basic communications theory in detail. This one text could replace several text books on my shelf.

1 of 9 people found the following review helpful.
No expert but I liked it
By Alex Newman
I am not an expert in this field but it came in quite handy while trying to classify the security and sensitivity of certain standards tech.

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[M476.Ebook] Ebook Free Politics and Post-Colonial Theory: African Inflections, by Pal Ahluwalia

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This groundbreaking book makes sense of the complexities and dynamics of post-colonial politics, illustrating how post-colonial theory has marginalised a huge part of its constituency, namely Africa.
Politics and Post-Colonial Theory traces how African identity has been constituted and reconstituted by examining issues such as:
* negritude
* the rise of nationalism
* decolonisation.
The book also questions how helpful post-colonial analysis can be in understanding the complexities which define institutions including:
* the nation-state
* civil society
* human rights
* citizenship.
Politics and Post-colonial Theory bravely breaks down disciplinary boundaries. Its radical vision will be essential reading for all those engaged in Politics, post-colonial studies and African studies.

• Sales Rank: #2137398 in eBooks
• Published on: 2012-12-06
• Released on: 2012-12-06
• Format: Kindle eBook

Review
"A superb analysis of African politics. Pal Ahluwalia cuts through many of the myths surrounding post-colonial theory, to produce the first sustained demonstration of the relevance of post-colonial theory to political science.' - Bill Ashcroft, University of New South Wales, Australia"

About the Author
Pal Ahluwalia is Senior Lecturer in Politics at the University of Adelaide. He has written extensively on African Politics and post-colonial theory. His most recent publication, with Bill Ashcroft, is Edward Said: The Paradox of Identity, also published by Routledge.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Post-Colonial African Politics
By A Customer
This is a very exciting book. It has an excellent introduction which locates postcolonial theory. The intersection between politics and post-colonial theory is the first such application and as Ashcroft suggests on the back cover it is truly ground breaking. The book traces the issues of identity and politics and highlights the major issues which are of concern to African studies, negritude, decolonisation, the state, civil society , human rights and globalisation. Perhaps the most interesting chapter is the chapter on citizenship. I would highly recomend this book. It is not only useful to undergraduates but will be provocative for the more advanced reader.

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