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Aesthetics: Classic Readings from the Western Tradition, by Dabney Townsend
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This anthology is a collection of basic readings for beginning students, chosen to illustrate the major movements in the history, development and nature of aesthetics. Selections of major importance are drawn from the period of the Greeks to the mid-twentieth century. Every section introduction includes an historical overview of each period, biographical information, and a brief analysis of key concepts. The editor designed this anthology to be of sufficient length for use as the sole text in a one quarter course, yet brief enough to invite the use of additional materials in longer courses.
- Sales Rank: #735881 in Books
- Brand: Brand: Cengage Learning
- Published on: 2000-04-18
- Original language: English
- Number of items: 1
- Dimensions: 9.24" h x .85" w x 7.37" l, 1.44 pounds
- Binding: Paperback
- 376 pages
- Used Book in Good Condition
Review
Part I: Classical and Medieval Aesthetics. Plato, Introduction From Republic Book X. Aristotle, from Poetics. Plotinus, Ennead One: Sixth Tractate. Bonaventure, Retracing the Arts to Theology. Dante, Letter Ten. Passages for Discussion. Part II: Modern Aesthetics. Section 1: The Seventeenth and Eighteenth Centuries. Francis Hutcheson, from An Inquiry Into the Original of Our Ideas of Beauty and Virtue. David Hume, Of the Standard Taste. Immanuel Kant, from Critique of Judgment. Passages for Discussion. Section 2: The Nineteenth Century. G. W. F. Hegel, from The Encyclopedia of the Philosophical Sciences. Arthur Schopenhauer, from The World as Will and Idea. Friedrich Nietzsche, from The Birth of Tragedy. John Ruskin, from Modern Painters. Leo Tolstoy, from What is Art?. Passages for Discussion. Section 3: The Turn of the Century. Benedetto Croce, From Aesthetic; Edward Bullough, "Physical Distance" as a Factor in Art and as an Aesthetic Principle. Clive Bell, From Art. Passages for Discussion. Part III: Looking Forward: The Twentieth Century. Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction. Morris Weitz, The Role of Theory in Aesthetics. George Dickie, The Myth of the Aesthetic Attitude. Arthur Danto, The Artworld. Sources. Glossary. Index.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A Fair Sampling of Philosophers of Art
By T. Anderson
"Aesthetics: Classic Readings from the Western Tradition" edited by Dabney Townsend, is an aesthetics anthology I recently read in hopes of finding a better text for the philosophy of art course I regularly teach. It's one of the better anthologies available, but in my opinion it's not the best of them (that honor I'd probably reserve for either Stephen David Ross' "Art and Its Significance" or Hofstadter's old standby "Philosophies of Art and Beauty," both of which are half the price of this very expensive book--or for Hazard Adams' "Critical Theory Since Plato," if you can afford a $135 book). Townsend's text includes primary texts--that is, selections from texts authored by recognized authorities in the field--as well as short introductions to figures and periods.
"Aesthetics: Classic Readings" strikes a pretty good balance between depth and breadth. It includes selections from 20 writers old and new, ranging from Plato and Aristotle to Bell and Danto (the first edition included only 15, as it lacked the post WWI selections which have significantly improved the second edition). Some writers featured here (like Bonaventure, Dante, Ruskin and Weitz) are not regularly included in anthologies of this type, so their presence is refreshing. And the selection offers a sound representation of figures from different historical periods and different philosophical perspectives. But the selections are relatively superficial in content, as there are only a few complete essays in the mix (most are abbreviated excerpts), and only a scratch on the surface of truly important writers like Plato and Kant. And one wonders why someone like Morris Weitz is included if that choice eliminates a much more influential figure, like Nelson Goodman for instance.
In short, this anthology is at the top of the middle-of-the-road pack, as it contains a broad and interesting sampling of texts. But a little more depth (and some more prudent choices if expansion isn't possible--which it should be in a text this expensive) would have definitely improved the book. For the novice reader I would recommend either Ross or Hofstadter for, respectively, their broader or more comprehensive anthologies--or Adams if you're independently wealthy. And Anne Sheppard's "Aesthetics" and Robert Wood's "Placing Aesthetics" would be helpful secondary reading to help explain and contextualize the primary writings in this anthology.
1 of 2 people found the following review helpful.
An Engaging Perspective On Art and Beauty
By J. Merritt
This a tough read, but a rewarding one. It presumes a familiarity with philosophical language and with the major players (especially the Greeks). It also borders on being a grad-level read, so beware if it's been assigned to you in an undergrad course; you've got your work cut out for you. Nonetheless, Townsend compiles an interesting assortment of readings (even though he jumps over big time periods) and gives a fresh perspective on writers that you've probably thought of very differently until now (e.g., Tolstoy and Clive Bell). It's the kind of book that's engrossing enough to keep even after the course is over, and it'll probably be a useful resource to have in your personal library if you're going to go on to graduate study in philosophy or art.
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